Home Home Sitemap Sitemap Contact Contact
magazine
THE HOTTEST MAGAZINE ON THE NET

 

About us PHOTO SHOOT services contact sitemap
 
Quick Music  Links      

Tone Loc Plans Shows for Scammed Bars       

The Associated Press

MILFORD, Mich. - Tone Loc plans to play shows at two bars in the Detroit area that were swindled by a man posing as the rapper's manager.

Tone Loc will play April 11 at the Red Dog Saloon in Milford and April 12 at Bumpers in Westland, The Detroit Free Press reports.

Red Dog owner Patty McMillan gave about $400 last summer to a man posing as Tone Loc's manager who promised his client would perform at her bar. Authorities say the man also scammed Bumpers out of $1,000.

The scam artist hasn't been caught.

The newspaper said McMillan and Judy Johnson of Bumpers contacted Tone Loc's real manager, Bobby Bessone in Nashville, Tenn., who said the rapper offered to play the shows for his regular fee.

Bessone did not immediately respond Sunday to a call from The Associated Press to a listing for Bessone's agency, seeking comment.

The rapper, whose real name is Anthony T. Smith, is known for the hits "Wild Thing" and "Funky Cold Medina."
 

1 Our Space
2 Our Planet
3 Greatest Movies
 
News & Updates           

Nelly Wants Springsteen Collabo!    

By DERRIK J. LANG
The Associated Press

LOS ANGELES - Nelly is bummed he wasn't able to collaborate with Bruce Springsteen on his new album.

"I was really trying to get The Boss, but The Boss is all over the world," Nelly told The Associated Press on the orange carpet at Saturday's Kids Choice Awards. "It didn't really work out. I know he's interested in doing it. And I'm interested in doing it."

Nelly was mum on what a duet with Springsteen would've sounded like, but the "Hot In Herre" rapper is hopeful he'll be able to work with the "Born to Run" rock and roller later this year.

"We still might get a chance to get it off," Nelly said. "We're saving it. We might repackage it for the holidays."

The 33-year-old rapper from St. Louis last formed an unlikely union in 2004 when he teamed up with country star Tim McGraw for the song "Over and Over" from Nelly's album "Suit."

"Brass Knuckles," Nelly's fifth album set for release in June, won't be lacking in names. Akon, Ashanti, Chuck D, Ciara, LL Cool J, Lil Wayne, Pimp C, Snoop Dogg and T.I. are all set to appear. "Party People," the first single off the album, features Fergie.

 

 

VBLAZin music room!

 

Looks Like Jay-Z and Beyonce Are Married                     

The Associated Press

NEW YORK - It appears that Jay-Z and Beyonce have finally tied the knot.

There was a swirl of activity Friday at the rap mogul's Tribeca apartment. Delivery trucks funneled in and out of the building, dropping off silver candelabras and white flowers. A white tent was set up on the roof, and stars including Beyonce's former Destiny's Child bandmates, Kelly Rowland and Michelle Williams, along with Gwyneth Paltrow, were spotted arriving.

A swarm of media camped outside the building was in a state of frenzy, snapping and shouting at any sport-utility vehicle that drove down the cobblestone street.

The Web sites of celebrity magazines People and Us Weekly reported the couple married and threw a lavish but small party at the apartment Friday, citing unnamed sources who are friends with the pair. The Web sites reported their families attended the party.

Rumors circulated all week about the event after a report that the couple had taken out a marriage license in Scarsdale, N.Y. Representatives for Beyonce Knowles and Jay-Z declined to comment on reports ahead of the event. Jay-Z's publicist had no comment Saturday.

The couple, who have apparently been dating for six years, have never publicly acknowledged they are together. Knowles, 26, and Jay-Z, 38, whose real name is Shawn Carter, have collaborated on the songs "03 Bonnie and Clyde" and "Crazy In Love."

It's been a big week for the hip-hop mogul. On Thursday, concert promoter Live Nation Inc. said it was in talks with Jay-Z over a potential business deal. The Los Angeles-based company stopped short of confirming published reports that the deal would give Live Nation a stake in virtually every aspect of Jay-Z's career and land him a potential windfall in excess of $100 million.

A person familiar with the negotiations between Live Nation and Jay-Z told The Associated Press that the proposed 10-year deal was worth about $150 million and would cover three albums.

The person requested anonymity because of the confidential nature of the ongoing talks.

Live Nation is currently producing a tour with Jay-Z and Mary J. Blige.

 Kanye West Performs At Takashi Murakami's Exhibit Opening

 

Head Not Found Studio Report                                                   


By: Andrew C. Zinn

This week I am going to be self serving, mostly because I couldn’t find a band to interview. That and I couldn’t resist an opportunity to plug my own band. As some of you readers might know, I am in a metal band called Head Not Found. We have been kicking around for about two years and have had some great times. We have played many shows from Alabama to Tennessee. We have a fairly brutal sound that mixes elements of doom, death, and black metal. Head Not Found has somehow survived through many trials and I am sure we will fight through many more. We are currently trying to record our first full length album and first real studio release. It has been tough, but I think we will survive.
We had originally thought that we would be recording at our Drummer Josh’s house. He has some recording equipment that we had used in the past to make our demo. Josh laid down some drum tracks and told John, our Bass player, and I to come over and put down some bass tracks. I, of course, did nothing but offer advice. John tried to play with what Josh had done and couldn’t get it to work. We all shook our heads and realized that we weren’t going to be able to record this thing ourselves. We went outside for cigarettes and discussion. We deliberated for about an hour about who would record us. Finally Josh decided to call Jonathon, the Drummer for the band Bloodborn in the neighboring town of Gadsden Alabama. He told us his prices and where and when he could do it. We called Monster, our Guitar player, and as always he thought that would be a good idea.
A few weeks and practices later we met at John’s, on the Saturday before recording, for practice and to prepare to go to the studio. We all decided to meet at John’s that following day at about eight A.M. From there we would eat biscuits, bullshit, load up drum equipment, and travel about thirty miles to Gadsden. I remember that it was the day that we have our biyearly time change. I got really drunk that Saturday night, so I would be prepared. I laid down for bed at about two A.M. I had to get myself pumped up on heavy metal DVDs so I could calm down my nerves. Anyway, I laid down for bed and realized that I had forgotten to set my clock forward. Too drunk to trust my cell phone, I decided to call Josh to ask him what time it was, so I wouldn’t be late. Sufficed to say, Josh was pissed at me and told me the time and hung up quickly. The band has to baby sit me quite a bit. They are true brothers.
So that morning I woke up hung over and an hour behind on sleep. I left for Josh’s house to pick him up. I arrive and his girlfriend told me to take care of him. I told her that he needs to take care of me. We left for John’s house and got a biscuit from a gas station on the way. We arrived at John’s and he had been up for like three hours. His job has him up very early in the mornings and he says that he can’t sleep past his normal wake up time. Even on his off days. He had breakfast at his Dad’s house. He said they had bacon, eggs, sausage and all that good shit. He was the luckiest bastard amongst us. We bullshitted, one of our favorite pastimes, and then Monster arrived. He made our circle complete and we left for Gadsden.
The trip was fairly uneventful. I drove like an old woman, as I always do. Jonathon had wanted us to meet him at the Gadsden Mall and follow him to the studio. Josh called him about twenty minutes from arrival time. Jonathon answered the phone from his bed. He was sleeping, but said he would be there when we got there. We park at the Sears side of the mall to wait. Again there is much bullshitting and jokes about each other. One of us, who I will leave nameless, really had to take a shit. We joked that he should go out into the woods to free his bowels. We laughed, he considered it, and decided not to because he had no toilet paper. Thankfully, Jonathon arrived to free us of our boredom. He told us to follow him, but we all agreed to stop at a convenience store on the way. All of us bought really weird shit. BBQ Corn Nuts, packaged meats, and energy drinks. Now, I have to admit that these are all metal head foods, but goddamn it was nine o’clock in the morning. We must have very strong gullets.
We arrive at the studio and it wasn’t quite a studio. It was actually a tattoo shop. I thought that was metal as fuck and couldn’t have been happier about our decision to record there. Jonathon took us inside. In one of the backrooms he had his drums and recording equipment set up. He said that his band Bloodborn practices there as well. The place was really well set up. They even had a sort of lounge room that had a TV and DVD player in it. That would come in very handy in the future of our time spent there.
Because Josh is the drummer, he was first on deck for recording. He laid the tracks for one song. I can’t even recall which one it was. It was tough. We have all played many live shows, and yet we were terrified of a microphone. It seems laughable now, but we were all nervous as hell. He fought through it and we decided to do Monster’s tracks next, so John could listen to the guitar while he recorded his parts. John went third and he was the most solid of us all. He got through it in no time. Then, yours truly was up to bat. I felt fucking ridiculous screaming into a microphone while holding my lyric notebook. I was like a fish out of water and it showed. At last, we had recorded our first track that I now remember is titled ‘8.13’. We all looked at each other and wondered how the hell we could sound so good. Digital recording does wonders. We all dug it and decided to do two more tracks that day.
Now, the recording process is not all work. Allot of your time is spent listening to the same shit over and over and waiting for your turn. We even put that DVD player to work. I elected to kill time with Monster’s video camera. I got a great monologue from Monster. He had a beautifully scripted fictional story about all the other recording studios that we had recorded at. These fictitious studios had all come to a horrible demise after trying to capture the hellish fury that is Head Not Found. I hope his story will make it onto YouTube. It deserves to, I had to record him saying his speech twice because I am a shitty camera man.
The day was long and laborious, but again, we made it through. Monster and John left out early because they had early jobs to be to the next day. Josh and I were left behind to wait for burned CDs of the days recording. It took like, what felt like days, for those damn CD’s to burn. They finally got done burning and Josh and I were on our way. We wanted to listen to the disc on the way home, but my damn CD player wouldn’t play the disc. So we had to wait until we got home. We dropped John and Monster’s discs at Monster’s house and finally headed home ourselves.
We all listened to the disc for about a week. We decided to have a band meeting to discuss what we liked and didn’t like. All was decided and we went back to the studio the next week. We made a change to have Monster’s tracks recorded with a microphone and to lay down three tracks at once. That saved us a hell of allot of setup time and gave the guitar a way more brutal sound. We recorded three more tracks and have four more to go.
We should have the disc ready in about a month. As you have read, music ain’t all sex, drugs, and rock and roll. Bands work damn hard, especially metal bands. We practice, travel, and poor allot of money out of our pockets to bring music to people. I will let the whole world know when the new Head Not Found CD is available for purchase. I want all your crazy fuckers to buy a copy. Cheers from VBlazin magazine and Head Not Found!!!

What If Hillary Clinton Gets The Dem Nomination?

 

Britain Challenges Snoop Dogg Decision                        

The Associated Press

LONDON - Britain is appealing a court's decision to allow Snoop Dogg into the country, the Border Agency said Friday. He was barred from Britain after he was arrested on charges of violent disorder at London's Heathrow Airport in 2006. But the hip-hop heavyweight successfully appealed the ban and received entry clearance from an asylum and immigration tribunal in January.

The Border Agency said Friday it would challenge the ruling at a hearing next week.

In March 2007, Snoop Dogg (real name: Cordozar Calvin Broadus Jr.) was forced to cancel a tour of Britain with fellow rap icon Sean "Diddy" Combs after authorities denied him a visa.

That followed an incident in which Snoop Dogg and five others were arrested on charges of violent disorder and starting a brawl at Heathrow in which seven officers were injured. Trouble flared when some in his party were denied entry to British Airways' first-class lounge at the airport.

In April 2007, Snoop Dogg was refused entry into Australia, with then-Immigration Minister Kevin Andrews saying the rapper "doesn't seem the sort of bloke we want in this country."

A former associate of the Los Angeles gang the Crips, Snoop Dogg built his early career on recordings offering gritty details of gang life.

Breakdance Pioneer Dies in NYC

The Associated Press

NEW YORK - Wayne "Frosty Freeze" Frost, a hip-hop pioneer whose acrobatic performance with the legendary Rock Steady Crew in the 1983 movie "Flashdance" helped set off a worldwide breakdancing craze, has died. He was 44.

Frost died Thursday at Mount Sinai Medical Center after a long illness, said Jorge "Fabel" Pabon, a senior vice president of the crew where Frost and other so-called b-boys (for beat or break boys) made their name performing complicated and daring dance routines.

"He was one of most charismatic b-boys that ever lived," said Benson Lee, director of the new documentary film "Planet B-Boy."

Breakdancing emerged from the Bronx and Harlem in the early 1970s, part of the hip-hop culture that also included graffiti, MCing or rapping, and disc jockeys scratching and mixing vinyl records on turntables.

During extended pauses, or breaks, in the music, b-boys would mimic James Brown's showmanship and footwork and Bruce Lee's martial arts, adding their own signature moves.

Frost was known for his energetic style, intricate choreography and fearless moves including back flips and head spins. One was even dubbed the "Suicide."

Frost got his start in 1978 with the Bronx-based Rock City Crew. In 1981, he became part of the Rock Steady Crew, joining such acclaimed breakdancers as Ken Swift and Lil Crazy Legs.

Frost toured the world with the Rock Steady Crew and other hip-hop artists, including Fab 5 Freddy, Futura 2000 and Kool Lady Blue.

Frost's appearance with Rock Steady Crew in "Flashdance" spread the breakdance phenomenon globally, said Joseph Schloss, a visiting scholar in the music department at New York University. "He was one of the first B-boys that most people ever saw," Schloss said.

Graffiti artist and close friend Zulu King Slone, who knew Frost for 15 years, said he was "like a walking hip-hop culture encyclopedia."

As a member of the Rock Steady Crew, Frost also appeared in several movies on hip-hop culture, including "Wild Style," "Beat Street" and "Style Wars." He also appeared on the cover of the Village Voice in 1981.

Funeral arrangements were incomplete. Associated Press writer Tania Fuentez contributed to this report
 

 

 

 

VBLAZIN MAG. All Right Reserved © 2007, Designed by CMG Technologies
Home | About us | Products | Services | Contact