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Looks Like Jay-Z and
Beyonce Are Married
The Associated Press
NEW
YORK - It appears that Jay-Z and Beyonce have finally tied the knot.
There was a swirl of activity Friday at the rap mogul's Tribeca apartment.
Delivery trucks funneled in and out of the building, dropping off silver
candelabras and white flowers. A white tent was set up on the roof, and stars
including Beyonce's former Destiny's Child bandmates, Kelly Rowland and
Michelle Williams, along with Gwyneth Paltrow, were spotted arriving.
A swarm of media camped outside the building was in a state of frenzy,
snapping and shouting at any sport-utility vehicle that drove down the
cobblestone street.
The Web sites of celebrity magazines People and Us Weekly reported the
couple married and threw a lavish but small party at the apartment Friday,
citing unnamed sources who are friends with the pair. The Web sites reported
their families attended the party.
Rumors
circulated all week about the event after a report that the couple had taken
out a marriage license in Scarsdale, N.Y. Representatives for Beyonce Knowles
and Jay-Z declined to comment on reports ahead of the event. Jay-Z's publicist
had no comment Saturday.
The couple, who have apparently been dating for six years, have never
publicly acknowledged they are together. Knowles, 26, and Jay-Z, 38, whose real
name is Shawn Carter, have collaborated on the songs "03 Bonnie and Clyde" and
"Crazy In Love."
It's been a big week for the hip-hop mogul. On Thursday, concert promoter
Live Nation Inc. said it was in talks with Jay-Z over a potential business
deal. The Los Angeles-based company stopped short of confirming published
reports that the deal would give Live Nation a stake in virtually every aspect
of Jay-Z's career and land him a potential windfall in excess of $100 million.
A person familiar with the negotiations between Live Nation and Jay-Z told
The Associated Press that the proposed 10-year deal was worth about $150
million and would cover three albums.
The person requested anonymity because of the confidential nature of the
ongoing talks.
Live Nation is currently producing a tour with Jay-Z and Mary J. Blige.

Kanye West Performs At Takashi Murakami's Exhibit Opening
Head Not Found
Studio Report

By: Andrew C. Zinn
This week I am going to be self serving, mostly because I couldn’t find a
band to interview. That and I couldn’t resist an opportunity to plug my own
band. As some of you readers might know, I am in a metal band called Head Not
Found. We have been kicking around for about two years and have had some great
times. We have played many shows from Alabama to Tennessee. We have a fairly
brutal sound that mixes elements of doom, death, and black metal. Head Not
Found has somehow survived through many trials and I am sure we will fight
through many more. We are currently trying to record our first full length
album and first real studio release. It has been tough, but I think we will
survive.
We had originally thought that we would be recording at our Drummer Josh’s
house. He has some recording equipment that we had used in the past to make our
demo. Josh laid down some drum tracks and told John, our Bass player, and I to
come over and put down some bass tracks. I, of course, did nothing but offer
advice. John tried to play with what Josh had done and couldn’t get it to work.
We all shook our heads and realized that we weren’t going to be able to record
this thing ourselves. We went outside for cigarettes and discussion. We
deliberated for about an hour about who would record us. Finally Josh decided
to call Jonathon, the Drummer for the band Bloodborn in the neighboring town of
Gadsden Alabama. He told us his prices and where and when he could do it. We
called Monster, our Guitar player, and as always he thought that would be a
good idea.
A few weeks and practices later we met at John’s, on the Saturday before
recording, for practice and to prepare to go to the studio. We all decided to
meet at John’s that following day at about eight A.M. From there we would eat
biscuits, bullshit, load up drum equipment, and travel about thirty miles to
Gadsden. I remember that it was the day that we have our biyearly time change.
I got really drunk that Saturday night, so I would be prepared. I laid down for
bed at about two A.M. I had to get myself pumped up on heavy metal DVDs so I
could calm down my nerves. Anyway, I laid down for bed and realized that I had
forgotten to set my clock forward. Too drunk to trust my cell phone, I decided
to call Josh to ask him what time it was, so I wouldn’t be late. Sufficed to
say, Josh was pissed at me and told me the time and hung up quickly. The band
has to baby sit me quite a bit. They are true brothers.
So that morning I woke up hung over and an hour behind on sleep. I left for
Josh’s house to pick him up. I arrive and his girlfriend told me to take care
of him. I told her that he needs to take care of me. We left for John’s house
and got a biscuit from a gas station on the way. We arrived at John’s and he
had been up for like three hours. His job has him up very early in the mornings
and he says that he can’t sleep past his normal wake up time. Even on his off
days. He had breakfast at his Dad’s house. He said they had bacon, eggs,
sausage and all that good shit. He was the luckiest bastard amongst us. We
bullshitted, one of our favorite pastimes, and then Monster arrived. He made
our circle complete and we left for Gadsden.
The trip was fairly uneventful. I drove like an old woman, as I always do.
Jonathon had wanted us to meet him at the Gadsden Mall and follow him to the
studio. Josh called him about twenty minutes from arrival time. Jonathon
answered the phone from his bed. He was sleeping, but said he would be there
when we got there. We park at the Sears side of the mall to wait. Again there
is much bullshitting and jokes about each other. One of us, who I will leave
nameless, really had to take a shit. We joked that he should go out into the
woods to free his bowels. We laughed, he considered it, and decided not to
because he had no toilet paper. Thankfully, Jonathon arrived to free us of our
boredom. He told us to follow him, but we all agreed to stop at a convenience
store on the way. All of us bought really weird shit. BBQ Corn Nuts, packaged
meats, and energy drinks. Now, I have to admit that these are all metal head
foods, but goddamn it was nine o’clock in the morning. We must have very strong
gullets.
We arrive at the studio and it wasn’t quite a studio. It was actually a tattoo
shop. I thought that was metal as fuck and couldn’t have been happier about our
decision to record there. Jonathon took us inside. In one of the backrooms he
had his drums and recording equipment set up. He said that his band Bloodborn
practices there as well. The place was really well set up. They even had a sort
of lounge room that had a TV and DVD player in it. That would come in very
handy in the future of our time spent there.
Because Josh is the drummer, he was first on deck for recording. He laid the
tracks for one song. I can’t even recall which one it was. It was tough. We
have all played many live shows, and yet we were terrified of a microphone. It
seems laughable now, but we were all nervous as hell. He fought through it and
we decided to do Monster’s tracks next, so John could listen to the guitar
while he recorded his parts. John went third and he was the most solid of us
all. He got through it in no time. Then, yours truly was up to bat. I felt
fucking ridiculous screaming into a microphone while holding my lyric notebook.
I was like a fish out of water and it showed. At last, we had recorded our
first track that I now remember is titled ‘8.13’. We all looked at each other
and wondered how the hell we could sound so good. Digital recording does
wonders. We all dug it and decided to do two more tracks that day.
Now, the recording process is not all work. Allot of your time is spent
listening to the same shit over and over and waiting for your turn. We even put
that DVD player to work. I elected to kill time with Monster’s video camera. I
got a great monologue from Monster. He had a beautifully scripted fictional
story about all the other recording studios that we had recorded at. These
fictitious studios had all come to a horrible demise after trying to capture
the hellish fury that is Head Not Found. I hope his story will make it onto
YouTube. It deserves to, I had to record him saying his speech twice because I
am a shitty camera man.
The day was long and laborious, but again, we made it through. Monster and John
left out early because they had early jobs to be to the next day. Josh and I
were left behind to wait for burned CDs of the days recording. It took like,
what felt like days, for those damn CD’s to burn. They finally got done burning
and Josh and I were on our way. We wanted to listen to the disc on the way
home, but my damn CD player wouldn’t play the disc. So we had to wait until we
got home. We dropped John and Monster’s discs at Monster’s house and finally
headed home ourselves.
We all listened to the disc for about a week. We decided to have a band meeting
to discuss what we liked and didn’t like. All was decided and we went back to
the studio the next week. We made a change to have Monster’s tracks recorded
with a microphone and to lay down three tracks at once. That saved us a hell of
allot of setup time and gave the guitar a way more brutal sound. We recorded
three more tracks and have four more to go.
We should have the disc ready in about a month. As you have read, music ain’t
all sex, drugs, and rock and roll. Bands work damn hard, especially metal
bands. We practice, travel, and poor allot of money out of our pockets to bring
music to people. I will let the whole world know when the new Head Not Found CD
is available for purchase. I want all your crazy fuckers to buy a copy. Cheers
from VBlazin magazine and Head Not Found!!!
What If Hillary Clinton Gets The Dem Nomination?
Britain Challenges
Snoop Dogg Decision

The Associated Press
LONDON - Britain is appealing a court's decision to allow Snoop Dogg into
the country, the Border Agency said Friday. He was barred from Britain after he
was arrested on charges of violent disorder at London's Heathrow Airport in
2006. But the hip-hop heavyweight successfully appealed the ban and received
entry clearance from an asylum and immigration tribunal in January.
The Border Agency said Friday it would challenge the ruling at a hearing
next week.
In March 2007, Snoop Dogg (real name: Cordozar Calvin Broadus Jr.) was
forced to cancel a tour of Britain with fellow rap icon Sean "Diddy" Combs
after authorities denied him a visa.
That followed an incident in which Snoop Dogg and five others were arrested
on charges of violent disorder and starting a brawl at Heathrow in which seven
officers were injured. Trouble flared when some in his party were denied entry
to British Airways' first-class lounge at the airport.
In April 2007, Snoop Dogg was refused entry into Australia, with
then-Immigration Minister Kevin Andrews saying the rapper "doesn't seem the
sort of bloke we want in this country."
A former associate of the Los Angeles gang the Crips, Snoop Dogg built his
early career on recordings offering gritty details of gang life.
Breakdance Pioneer Dies in NYC
The Associated Press
NEW YORK - Wayne "Frosty Freeze" Frost, a hip-hop pioneer whose acrobatic
performance with the legendary Rock Steady Crew in the 1983 movie "Flashdance"
helped set off a worldwide breakdancing craze, has died. He was 44.
Frost died Thursday at Mount Sinai Medical Center after a long illness, said
Jorge "Fabel" Pabon, a senior vice president of the crew where Frost and other
so-called b-boys (for beat or break boys) made their name performing
complicated and daring dance routines.
"He was one of most charismatic b-boys that ever lived," said Benson Lee,
director of the new documentary film "Planet B-Boy."
Breakdancing emerged from the Bronx and Harlem in the early 1970s, part of
the hip-hop culture that also included graffiti, MCing or rapping, and disc
jockeys scratching and mixing vinyl records on turntables.
During extended pauses, or breaks, in the music, b-boys would mimic James
Brown's showmanship and footwork and Bruce Lee's martial arts, adding their own
signature moves.
Frost was known for his energetic style, intricate choreography and fearless
moves including back flips and head spins. One was even dubbed the "Suicide."
Frost got his start in 1978 with the Bronx-based Rock City Crew. In 1981, he
became part of the Rock Steady Crew, joining such acclaimed breakdancers as Ken
Swift and Lil Crazy Legs.
Frost toured the world with the Rock Steady Crew and other hip-hop artists,
including Fab 5 Freddy, Futura 2000 and Kool Lady Blue.
Frost's appearance with Rock Steady Crew in "Flashdance" spread the
breakdance phenomenon globally, said Joseph Schloss, a visiting scholar in the
music department at New York University. "He was one of the first B-boys that
most people ever saw," Schloss said.
Graffiti artist and close friend Zulu King Slone, who knew Frost for 15
years, said he was "like a walking hip-hop culture encyclopedia."
As a member of the Rock Steady Crew, Frost also appeared in several movies
on hip-hop culture, including "Wild Style," "Beat Street" and "Style Wars." He
also appeared on the cover of the Village Voice in 1981.
Funeral arrangements were incomplete. Associated Press writer Tania Fuentez
contributed to this report
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